Lay’s, the
potato chip company, uses the slogan “Bet you can’t eat just one!” The slogan,
which actually goes well with some biological research, applies to a lot of
things in our culture.
If we like
something, you usually want more. Who wants to eat just one chip?
This appears in
storytelling, too. We complain a lot about reboots, remakes and sequels.
The Romans
borrowed heavily and “remade” Greek mythology.
There have been
sequels for almost as long as there have been stories.
Homer created
“The Iliad” and its sequel “The Odyssey.” Virgil wrote another sequel called
“The Aeneid.”
Virgil’s Aeneid
inspired Dante Alighieri to write “The Divine Comedy.”
Alighieri’s poem
inspired John Milton’s “Paradise Lost,” and Milton inspired C.S. Lewis to write
“The Great Divorce.”
Originality is
important, but we like repeated ideas. They help us communicate.
In storytelling,
regardless if it’s on film or in a book, we use ideas shared throughout media
or throughout a genre.
Memes, tropes
and clichés are a form of communication. If all the villains in a show have red
hair we automatically begin questioning the intentions of the casts’ new red.
Most of the time
these things come about because they communicate ideas very well.
Language isn’t
technically original. The words not created as part of language are called
loanwords, and they’re just borrowed from other languages because they convey a
meaning that’s difficult to express in English.
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